Cifras
Shotgun Blues

Tom: A

Introdução:

                                E5                                                                                                         A/E                                                                                                 C#5                                                                                            F#/C#  
12 14 14    x      x      x                                      12    x      14      14      14      x                                 9 11 11    x      x      x                                      9      x    11 11    11    x
6th 5th 4th 3rd 2nd 1st                                      6th    5th    4th    3rd    2nd    1st                                 6h 5t    4th 3rd 2nd 1st                                 6th 5th 4th 3rd 2nd 1st
                                D5                                                                                                      G                                                                                                            G/D                                                                                                 C5  
10 12 12    x    x         x                                      x    10 12 12 12      x                                              10    x 12    12 12      x                                 8    10 10      x      x      x
6th 5th 4th 3rd 2nd 1s t                                    6th 5th 4th 3rd 2nd 1st                                              6th 5th 4th 3rd 2nd 1st                                 6th 5th 4th 3rd 2nd 1st
                             F/C                                                                                                    A5                                                                                                         D/A                                                                                              B5  
  8      x    10 10 10    x                                      5      7      7      x      x         x                                                    5      x      7      7      7      x                                 7      9      9      x      x      x
6th 5th 4th 3rd 2nd 1st                                    6th 5th 4th 3rd 2nd 1st                                                 6th 5th 4th 3rd 2nd 1st                              6th 5th 4th 3rd 2nd 1st
                             E/B                                                                                                 G#5                                                                                                         A#5                                                                                         D#5  
  7      x      9      9      9      x                                      4         6      6    x      x      x                                                    6         8      8      x      x      x                                 x    11 13 13    x      x
6th 5th 4th 3rd 2nd 1st                                    6th 5th 4th 3rd 2nd 1st                                                 6th    5th 4th 3rd 2nd 1st                              6th 5th 4th 3rd 2nd 1st
E5                 A/E                      E5                      C#5                 F#/C#            C#5                 D5                      G                                         D5  
  /                              /                              / / /                      /    /                            /                                 / / /                    / /                            / x / x /                 / /      / / /
E5                 A/E                      E5                      C#5                 F#/C#            C#5                 D5                      G                                         D5  
  /                              /                              / / /                      /    /                            /                              / / /                    / /                            / x / x /                 / /    / / /
E5                      A/E                 E5                         D/A                    A5                              B5                    E/B                    B5  
  /      /                 / / /                      /         /                    / / /    /              / /    / / /                 /    /                    / / /    /              / /    / / /
E5                      A/E                 E5                         D/A                    A5                              B5                    E/B                    B5  
  /      /                 / / /                    /      /                      / / /    /              / /    / / /                 /    /                      / / /    /              / /    / / /
B5                                                                                                                                                                    A5                                                                                                                    G#5      A5    G#5    A5              B5  
  / (let chord ring)                                                                                              /         / (let chord ring)         /                                              / sl    /    /      /    sl    / / x         / (let ring)
             Ah,_ well, you get what you pay for,                                                                      An free-dom's real high priced.
             B5                                              A#5    B5      A#5    B5    A5                                                                                                 G#5      A5      G#5      A5  
                  /                                                         / sl    /    /         / sl    / /         / (let ring)                              /                                            / sl    /    /         / sl      / / x
  An while you're rippin' off children,                                                    somebody's fuckin your wife
D5                                                                              C#5    D5    C#5      D5         E5                                                                            D#5    E5    D#5    E5  
  / (let ring)                         /                      / sl    /    /            / sl    / /              / (let ring)                            /                    / sl    /    /         / sl    / / x
Ooh,                            it's never made a difference                                                              It's only how you survive
G/D                                              D5  
     /      x    /         x      /         /    /      / / /
This rhthym part is repeated 6 times more before the chords change for the outro.
D5      C#5         B5      A5  
     /                 /                    /              /
                                    E5chºrd  
The two rhthym guitars play the chords shown above while the third guitar plays
Performance Notes:- This is a great song with Slash doing both rhythm and lead guitars with    Izzy only doing background vocals. Axl also played rhythm guitar on this song.    The intro features some microphonic feedback and a pick slide. The chords to this song might look rather daunting, but, if you practice hard enough, you will get the hang of it. The trick between the chord changes in the chorus is to play a power chord and then to just keep your first finger on the 6th string and just lay your third finger on the 2nd, 3rd and 4th strings. At first, this will be quite difficult but keep practising and it will become easier.    The pre-chorus features the use of sliding power chords which lend a slight punk rock feel to this part of song.    The bridge uses strummed chords that lead up to the guitar solo. Strum these chords in a down/up motion. The guitar solo features high bends and some fast hammer-ons and pull-offs. Practice this (it will pay off in the long run). Listen to the record to determine how Slash is feeling the phrase against the beat. There is some tough phrasing in the guitar solo so analyse the lines carefully and listen to the record.