Tono: D
Introducción:
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old, tired, worn-out, second-hand
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sentences. One
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you're a really sad person,
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so sad.
B C(C)\
B C(C)\
when friendship reared its ugly head.
B C(C)\
B
Well, isn't that what friends are
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for? What friends are for? What friends are
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for? What friends are for? What are friends for?
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You, you're just a really sad per-
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son, who won't, you won't, listen to
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anyone. No, not you, with those
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half-moon eyelids, just babbling on,
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your useless defenses,
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so sad.
B C(C)\
B C(C)\
when friendship reared its ugly head.
B C(C)\
B
Well, isn't that what friends are
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for? What friends are for? What friends are
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for? What friends are for? What are friends for?
^ harmonics ^
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This erratic haphazard, fluttering, this toing and
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frowing, like a confused
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moth. The collusion, illusion, and it's all
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ad infinitum. You're a really sad per-
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son. You're really so sad.
B C(C)\
B C(C)\
when friendship reared its ugly head.
B C(C)\
B
Well, isn't that what friends are
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for? What friends are for? What friends are
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for? What friends are for? What are friends for? So sad.
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Fools and horses, running their courses,
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and brow beaten down, like dust on the ground.
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You cheat easily, like sweet charity.
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And all of the bastards the world despises
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springing surprises in newer disguises.
G
You cheat easily, like all (2nd.: sweet) charity.
Andrew N. Westmeyer