Key: D
Introduction:
D G
old, tired, worn-out, second-hand
D G
sentences. One
D G
you're a really sad person,
D G
so sad.
B C(C)\
when friendship reared its ugly head.
B
Well, isn't that what friends are
D G
for? What friends are for? What friends are
D G
for? What friends are for? What are friends for?
D G
You, you're just a really sad per-
D G
son, who won't, you won't, listen to
D G
anyone. No, not you, with those
D G
half-moon eyelids, just babbling on,
D G
your useless defenses,
D G
so sad.
B C(C)\
when friendship reared its ugly head.
B
Well, isn't that what friends are
D G
for? What friends are for? What friends are
D G
for? What friends are for? What are friends for?
^ harmonics ^
D G
This erratic haphazard, fluttering, this toing and
D G
frowing, like a confused
D G
moth. The collusion, illusion, and it's all
D G
ad infinitum. You're a really sad per-
D G
son. You're really so sad.
B C(C)\
when friendship reared its ugly head.
B
Well, isn't that what friends are
D G
for? What friends are for? What friends are
D G
for? What friends are for? What are friends for? So sad.
D G
Fools and horses, running their courses,
D G
and brow beaten down, like dust on the ground.
G
You cheat easily, like sweet charity.
D G
And all of the bastards the world despises
D G
springing surprises in newer disguises.
G
You cheat easily, like all (2nd.: sweet) charity.
Andrew N. Westmeyer