Tom: D
Introdução: D F# G F#m Em A
D F#
Well, now then Mardy Bum
G
I' ve seen your frown and it' s like
F#m Em
looking down the barrel of a gun
A D
And it goes off
F#
And out come all these words
G F#m
Oh, there' s a very pleasant side to you
Em A
A side I much prefer, it' s one that
G* A
Laughs and jokes around
D A
Remember cuddles in the kitchen, yeah
Bm G*
To get things off the ground and it was
A
up, up and away
D A
Oh, but it' s right hard to remember that
Bm
on a day like today when you' re
G* A ( D)
all argumentative and you' ve got the face on
D F#
Well, now then Mardy Bum
G F#m
Oh, I' m in trouble again
Em A D
aren' t I? I thought as much.
F#
Coz you' ve turned over there
G F#m
Pulling that silent disappointment face
Em A
The one that I can' t bear. Well, can' t we
G* A
Just laugh and joke around?
D A
Remember cuddles in the kitchen, yeah
Bm G*
To get things off the ground and it was
A
up, up and away
D A
Oh, but it' s right hard to remember that
Bm
on a day like today when you' re
G* A ( F#)
all argumentative and you' ve got the face on.
F# G
And yeah, I' m sorry I was late
F# G
But I missed the train and then the traffic was a state
F# G
And I can' t be arsed to carry on in this debate that reoccurs
F# G
Oh, when you say I don' t care, but of course I do
A
Yeah, I clearly do.
G* A
So laugh and joke around
D A
Remember cuddles in the kitchen, yeah
Bm G*
To get things off the ground and it was
A
up, up and away
D A
Oh, but it' s right hard to remember that
Bm
on a day like today when you' re all (Break - wait a bar)
G* A D
argumentative and you' ve got the face on.