Tom: Am
Introdução: D
Am
Oh, well imagine, as I' m pacing the pews in a church corridor, and I
Dm F
can' t help but to hear, no I can' t help but to hear an exchanging of words:
Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter. (yes)
Dm F
"but what a shame, what a shame, the poor groom' s bride is a whore."
Am F Dm G
I chime in with a "Haven' t you people ever heard of closing a goddamn door?!"
Am F Dm G
No, it' s much better to face these kinds of things with a sense of poise and rationality.
Am F Dm G
I chime in with a "Haven' t you people ever heard of closing a goddamn door?!"
Am F Dm
No, it' s much better to face these kinds of things with a sense of...
Am
Oh, well in fact, well I' ll look at it this way, I mean technically our marriage is saved
Dm F
Well this calls for, a toast so, pour the champagne
Am
Oh! Well in fact, well I' ll look at it this way, I mean technically our marriage is saved
Dm F
Well this calls for a toast, so pour the champagne, pour the champagne
Am F Dm G
I chime in with a "Haven' t you people ever heard of closing a goddamn door?!"
Am F Dm G
No, it' s much better to face these kinds of things with a sense of poise and rationality.
Am F
Again...
Am F Dm G
I chime in with a "Haven' t you people ever heard of closing a goddamn door?!"
Am F Dm G
No, it' s much better to face these kinds of things with a sense of poise and rationality.
Am F Dm G
I chime in with a "Haven' t you people ever heard of closing a goddamn door?!"
Am F Dm G
No, it' s much better to face these kinds of things with a sense of poise and rationality.
Am F Dm Am
No, it' s much better to face these kinds of things with a sense of