Singer Pritam <img src="https://static.mimenor.com/images/flags-icons/in.svg" width="20" height="15" alt="in" title="in" onerror="this.src='https://static.mimenor.com/images/icons/empty.svg'">

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Pritam in

Pritam Chakraborty (born 14 June 1971), also known mononymously as Pritam, is an Indian composer, instrumentalist, electronic guitar player and singer. Pritam had built a name for his compositions by finely blending Indian classical music with western influences. His compositions for Gadhvi's second movie Dhoom were a runaway hit. The title-track of Dhoom in two versions – Hindi (by Sunidhi Chauhan) and English (by Tata Young) – broke geographic ... barriers becoming popular in pubs in the UK, USA and the East Asia and won him a Zee Cine Award for Best Track of the Year. He received two nominations for Dhoom. He followed this up with compositions for films like Jannat, Gangster and Dhoom 2. His compositions for Anurag Basu's Life in a... Metro garnered him very positive reviews. He formed a band called Metro with Suhail Kaul, Soham Chakraborty, Eric Pillai and Bangladeshi singer James for the movie. He won his second Zee Cine Award for Best Track of the Year for the song "Mauja hi Mauja" from Jab We Met by Imtiaz Ali. Jab We Met won him his first Apsara Award for Best Music Director. He composed for two more Imtiaz Ali films, Love Aaj Kal and Cocktail which were critically and commercially successful. His Sufi songs for the 2010 movie Once Upon A Time in Mumbaai were immensely popular with the masses and songs like "Pee loon" and "Tum Jo Aaye" were declared chartbusters. He teamed up again with Mahesh Bhatt and Vishesh Films for music of Crook of which the song "Mere Bina" got instant recognition with public. His foot-tapping numbers for Rohit Shetty's Golmaal 3 were also equally successful. In 2011, he got to work for Salman Khan's Ready and Bodyguard. He recreated the famous 1971 song, "Dum Maro Dum" for Ramesh Sippy's 2011 movie of the same name. He then composed for the romance Mausam which had a strong influence of Punjabi. The songs were phenomenal hits in Northern India with "Rabba Main To Mar Gaya Oye" being a rage among people. In 2012, he composed several successful songs for films like Players, Agent Vinod, Jannat 2 and Vidhu Vinod Chopra’s Ferrari Ki Sawaari, where he finally got to work with him and Rajkumar Hirani. Later that year, he scored music for Barfi! which won him two Filmfare Awards. Barfi is considered to be one of the most critically acclaimed soundtrack album of his career. By 2013, his list included Race 2, Murder 3, Yeh Jawani Hai Deewani, Dhoom 3 and Once Upon ay Time in Mumbai Dobaara which was his 100th movie as a Music Director in Bollywood. He started 2014 with compositions for Yaariyan, Shaadi Ke Side Effects & Holiday: A Soldier Is Never Off Duty. He then took a break in 2014. He marked his return with three successful albums in 2015: Kabir Khan's Bajrangi Bhaijaan & Phantom and Rohit Shetty's Dilwale for which he was nominated for Filmfare awards. The Song, "Gerua" from Dilwale directly opened at the No. 1 position on the Radio Mirchi charts and became the first Bollywood song to cross 100 million views on YouTube in the shortest duration ever. It also ranked in the top slot in places like Malaysia, Oman, Sri Lanka and Bahrain. In 2016, he appeared as a guest composer and composed the song "Itni Si Baat Hai" for Azhar; the albumes other composers were Amaal Mallik and Dj Chetas. He also composed the whole soundtracks of Dishoom, Ae Dil Hai Mushkil and Dangal. In 2017, he composed the soundtracks of Jagga Jasoos, Raabta along with Sohrabuddin, Sourav Roy and JAM8, Tubelight and Jab Harry Met Sejal along with Diplo. In 2019, he composed songs for Kalank and will produce the music for Brahmastra. 83- The Film is lined up for 2020. Musical style Pritam has composed and covered some popular songs without giving credits to the original artists in a variety of genres including Rock (Life in a... Metro), Sufi (Once Upon A Time in Mumbaai) and even Ghazals (Barfi). His musical style is mainly characterized as a delicate fusion of Indian classical music with contemporary undertones. See more [+]

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